Notes From A Winter’s Break III

I read a lot last week, because my parents generously gave me three deeply engrossing books for Christmas.

Salt, Fat, Acid, Heat: Mastering The Elements of Good Cooking by Samin Nosrat is not a cook book. You can’t really read a cookbook, can you? You have to approach it as a reference book to hunt for specific recipes when you want them.

This, though, is a read. I sat on my parents’ couch and read straight through Nosrat’s explanations of how salt, fat, acid, and heat work in cooking followed by her instructions for how to layer them. I’ve been practicing salting by finger wag ever since and asking, “How can I get some acid into this?” about everything I’ve made this week (hint: mustard in mashed potatoes is goooood).

Nosrat did the “I Think You’re Interesting” podcast back in November. Listening to that is a fun point of entry into her book.

Dinner in an Instant: 75 Modern Recipes for Your Pressure Cooker, Multicooker, and Instant Pot by Melissa Clark is a book I coveted the moment I learned of its existence. I’ve subscribed to the New York Times cooking website for over a year now, and Clark’s contributions there have taught me a ton. I prepared Thanksgiving dinner for 20 people last year using her stuff exclusively.

Also, I have an Instant Pot and it is amazing. So when I heard Clark on The Upgrade talking about this book I started dropping hints for the holidays.

I said before that you can’t really read a cookbook. But I read this. At least I turned every single page and scanned every single recipe (there’s barely an introductory material). Every recipe has a pressure cooker and slow cooker option, and the images are gorgeous. I made the chili recipe from it right away when I got home, and it’s going to be my entry in this weekend’s chili cookoff for sure.

World Without Mind: The Existential Threat of Big Tech by Franklin Foer is another book I’d been eager to get my hands on that my parents gave me for Christmas. I finished it on the plane ride home. It’s not a cookbook.

Foer wrote one of my favorite books of the past decade, How Soccer Explains The World, so when The Washington Post published an excerpt of this book and Jeff Jarvis pummeled it I was deeply intrigued.

There is nothing new to Foer’s anxiety about how digital technology is affecting us, its users. This kind of writing is a genre all its own. But World Without Mind is valuable for its focus on the companies driving most of that tech: Amazon, Facebook, and Google (Apple escapes the most serious charges of spying and monopolizing Foer levels at the other three).

Amazon has destroyed publishing just because it could. Facebook has ruined journalism without a care. Google is deploying all the things it knows about you in increasingly non-search engine ways.

What did I do after reading this? I switched my default search engine to Duckduckgo, put Firefox back on my phone, restarted three paper magazine subscriptions, decided not to replace the Kindle I left in Dallas last month, and started free trials of Fastmail and Zoho Docs, alternatives to Google services on which I am quite dependent.

Reading: one of the best things about vacation.

Notes From A Winter’s Break II

“Saudi Aurora” is an offensive dis of my hometown that I’d completely forgotten about. I heard it all the time growing up from relatives who lived in more remote suburbs of Denver than the one where my parents bought a brand new house in 1978. They still live in that house, and those same relatives are still dissing Aurora.

I heard it again from one of those relatives on Christmas day, just last week. It kind of jolted me. He’s a police officer. Last month he participated in a training exercise at my old middle school. Recounting the exercise over apple pie provided the occasion for the disparaging moniker.

He elaborated on it: Aurora is full of crime. Cops want to work there for the challenge of it.

That’s not the Aurora I remember, and it’s not the impression I get of it when I visit. “Saudi Aurora” exposes a distance between my youth and my adulthood that is more than geographic.

I have a sympathetic reflex toward protests of police brutality. I’m horrified by the stories of Eric Garner and Laquan McDonald and Tamir Rice and Philando Castille and all the other mounting incidents of mostly unarmed African American men being shot by police. My instinct is outrage. When football players kneel during the national anthem to bring attention to the problem, I’m encouraged, not offended.

That’s me: a politically progressive 41 year old white guy.

That’s not where I’m from, though. Where I’m from shines a blue porch light in support of the police. Where I’m from is the police. Where I’m from was perilously close to a horrifying attack on police officers just days after offending me over Christmas pie. Where I’m from wore the same uniform as the deputy who died in that attack. Where I’m from sees things and risks things I have the luxury of reading about later.

Where you’re from shapes where you go even long after you’ve left it.

 

Notes From A Winter’s Break

I accompanied my dad to the park by my parents’ house to walk their Greyhound, Lady, and on the way he jokingly threatened to turn on Rush Limbaugh. “I wouldn’t have stopped you,” I said. I pressed into the opening; we rarely speak of politics, and we’ve never spoken about Trump or last year’s election.

“You voted for Trump. So what is it about him that you like so much?” He answer was swift and clear.

“I like that he’s not a politician and that if says he’s going to do something he does it, like with cutting our taxes. I like that he’s standing up to Kim Jong-un. And I like that he’s going after those football players who are kneeling during the national anthem.”

Everything my dad likes about the president is an opening for an argument. Every  virtue he sees looks to me like a vice, or at least a deception: he is a politician; he lies reflexively; he is intensifying a potentially catastrophic conflict for the sake of his ego; his opposition to NFL protesters is overtly racist.

But I kept those arguments to myself. Instead, I let curiosity lead. He remarked that, given all the terrible things he said during the campaign, his electoral win was a “miracle,” so I asked: what could the president say or do to lose your support? This answer was less swift but just as clear:

“Nothing.”

I’m listening.

 

The 2017 Songs Shortlist

Here it is, the final Music of The Year installment for 2017. After a big ol’ playlist of songs and three lists of albums, all that’s left is this this “shortlist” of the 26 tracks released in 2017 that I loved the most. May it usher you into a musically enriching 2018.

 

 

Most of these songs belong to albums I’ve already shared. A few thoughts on ones I haven’t, then.

“The Old Churchyard” from the Decemberists/Olivia Chaney collaboration called “Offa Rex” is haunting and just lovely. I gave the vinyl of this album as a gift to someone who maybe reads this blog and so can’t name. Merry Christmas.

“Confidence” by Said The Whale is just the right combination of electronic production, rhythm, and profanity for a rock record.

“Telefono” by Phoenix will break your heart if you can catch the snippets of English buried in the Italian one-sided dialogue lyrics. “But wait. Do you plan to visit?”

“In My Dreams” by Jenn Grant is a sad sultry song about praying to Jesus. Enough said.

“Tyson Vs. Douglas” by The Killers almost feels like a nostalgic cheap shot, and I can’t get through it without tearing up, which is a weird thing to experience from a song about a boxing match. “Rut” is just as personal and emotional. Especially if you hear the Song Exploder they recorded about it. 

“I Feel Like Hank Williams Tonight” by Sonny Sweeney is a cover of a 1988 Chris Wall song I’d never heard before that will turn your stomach if you’re allergic to country music. I’m not, though, and every time I played this record I found myself singing it to myself for hours after. Landon hates it though.

“Hungry” by Travis Meadows is a plate full of dirt and grit that you just can’t stop chewing on.

Thanks for reading. Happy New Year.

Albums of 2017, Fun-Filled Pop Edition

My end-of-year music lists for 2017 are five: a big collection of songs released that I liked and keep listening to, three cluster of albums I loved and that suit different moods, and, finally, on December 29th, my “A List” of songs for the year.

I have a list of Twangy Songstress albums.

I have a list of Rock N’ Angst albums.

And I have a list of Fun-Filled Pop albums.

Chuck Prophet, Bobby Fuller Died for Your Sins (Belle Sound)

It probably doesn’t find anyone’s definition of “pop,” but Bobby Fuller . . . is good clean fun. Chuck Prophet knows his way around rock and blues, but he has a distinctive vocal style that brings a unique kind of life to these songs, even the ones about death (“Bad Year for Rock And Roll” and “Alex Nieto”). The man can write a ballad, too. “We Got Up And Played” is a timeless tip-of-the-hat to showing up and going to work, and “Open Up Your Heart” is exactly what the title promises: a schmoozy love song but with teeth.

 

Beck, Colors (Fonograf)

An 11-song sprint through an aggressive course of synthesizers, drum machines, and just about every other technical and artistic convention of pop music ever devised: that’s Colors. It’s almost exhausting how much fun it is. I’ve never gone in for Beck, and I expect the people who have don’t like this album. It’s kind of an all-in pop experiment, and I love it. “No Distraction” and “Wow” are standouts, but Colors really deserves to be queued up in order and blasted straight through.

 

Barenaked Ladies And The Persuasions, Ladies And Gentlemen: Barenaked Ladies And The Persuasions (Rainin’ Records)

It might seem weak to go all daffy over an album of covers, but this one won’t be ignored. It’s a collaboration between what seemed at the start of 2017 to be a has-been north-of-the-border uber pop outfit and a New York a capella group with roots in the 60’s. They got together in October of 2016 and recorded 15 songs live-off-the-floor. BNL standards sung by soulful R&B singers and arranged more acoustically is a recipe for magic that lots and lots of people can enjoy. “Don’t Shuffle Me Back” was the unofficial anthem of my junior high mission trip last summer.

 

Barenaked Ladies, Fake Nudes (Rainin’ Records)

If the success of their collaboration with The Persuasions led you to think that the only future for BNL is creative new machinations of their old material, think again. Fake Nudes is all new material. It features the quirky best of what these guys have always done (clever wordplay ballads like “Canada Dry”) but that also does it in a way that feels poignantly suited to the day (note the album title’s nod to “fake news” and its poetic takedown of a signature Trump project, “Invisible Fence.”)

“Navigate” and “Sunshine” display a depth of sentiment the old BNL catalog hasn’t accustomed you to. “Bringing It Home” and “Lookin’ Up” are the old cheese-and-macaroni standards their fans have always loved.

 

Paramore, After Laughter (Atlantic Recordings)

Okay, so Landon won me over on this one. I mean, “Rose-Colored Boy” was in my rotation all summer and fall, but it was November before I gave After Laughter the start-to-finish treatment. Turns out it’s a cohesive synth-powered pop project full of lyrical surprises.

Low Key. No pressure. Just hang with me and my weather.

You just get the sense that Hayley Williams and company know what they’re doing behind their keyboards and drums, sparing guitar riffs, and “Ba da ba da da da”s “Fake Happy,” “Caught In The Middle,” and “Hard Times” might make you dance. “26” might make you cry. “Forgiveness” might make you do both at once.

 

Mouse Books: The Coolest Thing I Discovered This Year

Mouse Books is my favorite thing of 2017.

I learned about it from Kickstarter last spring and became a backer immediately. David, one of the project’s founders, lives in Chicago, and he emailed me within a day of me backing the project, offering to send me an early preview. The catch? He wanted my feedback.

Talk about engagement. I was hooked. I burned through the little yellow edition of James Joyce’s The Dead in a few short train rides. After that it was a few months of email updates before the project actually shipped, and when it did I made quick work of it: Melville, Austin, and Dostoyevskey on paper in your pocket is kind of thrilling.

I gave them as gifts. I signed up for the Drip service that launched on Kickstarter in November. I had coffee with David, the founder. I received a special bonus collection of speeches by Pope Francis. I listened to David’s interviews with literature professors on Soundcloud. I backed their special holiday “Giving” collection.

I kind of went all in on this.

The very attractive “Giving” volumes arrived yesterday. “The Happy Prince” and “Miscellaneous Aphorisms” by Oscar Wilde; “The Gift of The Magi” by O. Henry; “Russian Christmas Stories” by Tolstoy, Dostoyevsky, and Chekhov. David asked me over coffee last month for titles to include in this collection, and I had nothing. That’s fine, because this is perfect.

I read “The Happy Prince” to Laura last night as she lay in her makeshift bed in the living room, lit by the Christmas tree (I tried “The Gift of The Magi” first, but “the silent imputation of parsimony” in the first paragraph indicated that the vocabulary is a bit advanced for a fourth grader).

It was a delight. I may just read it again tonight.

What discovery did you make this year that most delighted you?

 

I Made This Playlist That’s Like A Time Machine

I’m trying to be bored and brilliant on the train, but I made this playlist I called, “The Albums: A Life,” and ever since I never don’t want to be listening to it. It’s full of surprises, which is a delightful quality in something you made yourself. I made it by porting all of my best-of album lists from the past five years to a new playlist and then adding individual albums that I have played to death during some season of my past. Every song that pops up on it can immediately be identified, not only by the album it belongs to, but immediate visual associations connected to where and with whom I used to listen to it. I’m still adding albums to it every day.

Let me demonstrate by shuffling it right now and listing the first five songs.

“Lump Street” from Frightened Rabbit’s Painting of A Panic Attack. I’m walking down Chicago Avenue to my still-new job at Fourth Presbyterian Church, texting Marci and Landon about the band we all love.

“My Name Is Liar” from Highasakite’s Camp Echo. Early summer in Chicago, strolling the Gold Coast, where I’m living for the final two months before Meredith and Laura join me to begin the next chapter of our life.

“Note To Self” from Modern Baseball’s Holy Ghost. The commute to Fourth again, but this time past the Starbucks on State and Pearson on an unseasonably warm Autumn day, nodding again to the guy on the corner with a cardboard sign.

“Trouble” from Hey Marseilles’ self-titled 2016 album that came out in March, right after I moved here. I’m in two places with this one: the empty Rogers Park condo where I’m spending my first Windy City winter alone. There’s an empty Giordano’s box on the counter. I’m also on the 147 bus turning onto Lakeshore Drive on a grey, rainy morning, anticipating the view of the lake from my warm perch in the back corner.

“Rabid Animal” from Lake Street Dive’s Bad Self Portrait. Finally something from California. I’m listening to this in the sunny living room of our Pomona condo while Laura plays upstairs. Meredith is at work. I’m texting Landon about it, who can’t get into the “Bonnie Raitt” feel of it, as I Google video of the band’s appearance on Colbert. 

I wish something older would have come up in the shuffle, like one of the tracks from Erasure’s Pop! that makes me think of Jared Hamilton and Andy Patterson’s basement dorm room at Sterling College or Day At The Beach by Sonia Dada, which takes me back to the streets of Aurora the first summer home from college, driving around with Chip, trying to outdo one another with music we’ve discovered since we both moved away. He’s claiming Sonia Dada, but I was into their first album while we were still in high school. It’s such a Chip move.

Can you see now why I can’t just sit on the train and not listen to my new/old compilation? It’s a nostalgic season, for some reason.

What Do We Have Against Bureaucrats?

Screenshot 2017-12-19 at 5.50.00 AM

I spend a lot of time worrying that I’m a bureaucrat. Sending emails, making schedules, reserving rooms, ordering food and materials: these tasks activate a voice in my head that says, “This isn’t effective. You’re pushing pencils. This isn’t even ministry.”

It’s garbage, I know. Bureaucracy is critical. How many ministry initiatives have I kneecapped before they could even start by failing to attend to these sorts of details? Too many to count. This stuff is important.

Where does that voice come from, though? I think it’s simply a cultural devaluation of work that is concerned with details and process. Nobody ever says “Bureaucrat” as a compliment, not in government or church or school or anywhere else. The implication is that the real work is done by other people, not the bureaucrats.

A friend who serves as a regional church executive listened to me on this last week and replied simply and forcefully: feed the bureaucrat.

 

This Is Why You Don’t Goof With Your Alarm on A Saturday Night

I fiddled with the clock app on my phone Saturday night, thinking that it would be cool if I could set it to wake me up with the Stranger Things theme, but it didn’t work and my alarm never went off. I woke up a full three hours and 19 minutes later than I’d intended.

I leapt from bed and sprinted into clothes and out the door for a frantic beginning to a full day during which a mental chorus of “irresponsible!” and “unprofessional!” and “fraud!” would bellow through the morning and coo all afternoon. I never got my head right. Everything I looked at disintegrated and everything I touched crumbled.

But a small evening gathering of youth leaders literally saved the day. To break bread with the church folk who care the most about accompanying young people in all the ways we try to do that set me right. My off-the-cuff expression of gratitude to them was nearly choked off by emotion mere seconds after it had begun. It’s the part of that day I will cling to.

Some of us need the company of our people to feel right. I’m learning that the best way to get out of my head is to get in a room with people who care about the things I care about.

 

 

Albums of 2017, Rock N’ Angst Edition

My end-of-year music lists for 2017 are five: a big collection of songs released that I liked and keep listening to, three cluster of albums I loved and that suit different moods, and, finally, on December 29th, my “A List” of songs for the year.

My second cluster of albums is for brow-furrowing and fist-pumping.

Japandroids, Near To The Wild Heart of Life (self-released)

This Canadian rock duo has been orbiting my ears for years, but it wasn’t until the release of this album that I actually paid them any real attention. Then I couldn’t turn them off. This is a collection of edgy pop melodies riding a train of heavy guitar riffs and north-of-the-border pathos. “No Known Drink Or Drug” is a standout record that features the kind of lyric you commit to memory on purpose:

“When winter’s off the leash and on the loose/we ward off the weather with a witch’s brew/of dominoes, prose, and Delta Blues”

It’s only 8 songs long, but there’s nary a miss on the album.

 

British Sea Power, Let The Dancers Inherit The Party (Golden Chariot)

I will not be a bad bohemian.

I will not be a bad bohemian.

I will not be a bad bohemian.

It’s a testament to the clarity of songs like “Bad Bohemian” that more than the words but also the conviction behind them get irremediably stuck in your head after listening to Let The Dancers Inherit The Party a few times. The first full-length record on the album does it better than all the others.

These are big rock songs with big guitar riffs and big British vocals, good for pounding the pavement to. Then there is “What You’re Doing,” which is a delightful little change of pace (and vocalist).

 

Phoebe Bridgers, Stranger In The Alps (Dead Oceans)

After you’ve heard “Motion Sickness” for the first time and thought, “Why do I like that so much?”, you check the label that released it and find that its roster also includes Mitski, Destroyer, Pinegrove, and The Tallest Man on Earth, and then it makes sense.

Phoebe Bridgers is the best thing I discovered in 2017.

The songs on Stranger In The Alps are mostly minimalist things. “Motion Sickness” is the only one with a prominent electric guitar part. But they all drive rhythms you can’t resist, and they all bleed. They mine the mistakes of the self-defeating, but without lacking joy and without falling into a trope.

Oh, and there’s a Conor Oberst cameo.

Win.

 

Aimee Mann, Mental Illness (SuperEgo)

Nobody writes a haunting melody like Aimee Mann. She’s be doing it for parts of four decades now. Mental Illness is an album of melodies that I swear would work with no musical accompaniment, so the plucking strings and light-touch piano that carry most of the songs do amazing work.

On the surface, this album doesn’t belong in the same collection with Japandroids and British Sea Power, but when you let Mann’s lyrics soak in you realize that, of themselves, they have the same snarling effect as the big drum kit.

 

Jason Isbell and 400 Unit, The Nashville Sound (Southeastern Records)

So this is a country album from a preeminent “Alt Country” voice. It belongs on this angsty shelf, though, because the best songs on it are ones that voice the mood of our day better than anything anyone else is doing. Like this:

Last year was a sonofabitch/for nearly everyone we know/but I ain’t fightin’ with you down in the ditch/I’ll meet you up here on the road.

“Hope The High Road,” “White Man’s World,” “Cumberland Gap,” and (!) “Anxiety” are all in this vein. They feel like important songs. You want people to hear them and think about them. My man is a poet in the lineage of Guy Clark.

 

Next week: fun!